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Here is an example from Cowper[?], a line with three anapaestic feet:
Because of its length and the fact that it ends with a stressed syllable and so allows for strong rhymes, anapaest can produce a very rolling, galloping feelin verse, and allows for long lines with a great deal of internal complexity. The following is from Byron:
An even more complex example comes from W. B. Yeats. He intersperses anapests and iambs, using six-foot lines (rather than four feet as above). Since the anapaest is already a long foot, this makes for very long lines.
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